Goa

I’ve always had mixed feelings about visiting Goa. If I have a precious few weeks in India, why would I go to Goa? And if I wanted a beach holiday why would I go to India?

In the end we only spent 3 nights there, cutting out the colonial centre and spending the time on one of the quieter beaches in the south of the state: Agonda.

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But I have to admit the beach was lovely. 2 miles of sand, not too crowded, not too hot and cleaned daily. The sea was warm and nicely choppy.

Agonda Cottages was a relaxed place to stay and there was a fair choice of eating and drinking shacks down the beach. Nothing wildly exciting or especially Goan though. The monsoon means that the beach is large disassembled over the summer and rebuilt annually.

At the southern end of the beach were a collection of overland vehicles, mainly from Germany and Holland, that had made the journey by road from Europe. The transit across Pakistan is currently quite dangerous. One of the Germans was recounting his trip on his blog – I’ve lost the link – difficult even with a police escort.

Amber

The days in Jaipur were a last minute change to accommodate Kim’s course on mud resist block printing at the Diggi Palace Hotel. We flew there a couple of days before the course started to check out a couple of places we wanted to visit.

Firstly was a trip to the massive Amber Fort that sits in the hills to the north of Jaipur. We’ve been to the fort before but hadn’t got to the Anokhi Museum of Hand Printing that sits in a restored haveli in a village just behind the fort. There’s a collection of old and modern textiles demonstrating a range of printing and dyeing techniques. A couple of men demonstrated block carving and printing and let you have a go.

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block printing
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carving the blocks

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The next pictures show the complexity of a multi-stage dyeing and resist process.

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And a few pictures of the fort; magnificent and crowded.

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Exploring Jaipur

Before the trip Kim contacted one of the remaining producers of leheriya and mothra tie dyes. This is a technique where fabric is rolled from one corner to the other diagonally and then it is tied at intervals with strings producing fine stripy waves of colour on silk.

Armed with a vague address and a GPS we persuaded a tuk-tuk to drive us away from the sights to a busy township. There, enquiring door to door and followed by large crowds of kids we found a house and were invited in. But there was very limited English and no chance of a factory visit so we we sat down with their silk samples and secret dye stuffs.

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Their dye supplies

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Back in central Jaipur we explored the crumbling buildings, street food and stone masons.

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The carvers use a plaster model and transfer measurements to the copies with this device
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Power tools are used for most of the carving and finishing
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The other side of the Palace of the Wind
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Lady selling bracelets in the old town
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Kim at the Diggi Palace Hotel
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I eventually found a shop selling carving chisels at under £1 each
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The carving’s not a pleasant job
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The view from the Iswari Minar Swarga Sal (minaret) over the City Palace. Distant forts on the hills

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Cheesemakers
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There are crumbling building like this throughout the old town